Act Two: Perceptions
Scene One – A Map
Interior – Cruise ship corridor, main control deck, lounge
Two cruise ship personnel in uniform come out of a door. Both of the crew members are shorter. Tony and Steve are waiting for them in the hall. Steve and Tony make quick work of knocking out their opponents. They drag the unconscious bodies back into the room from which they came. Tony and Steve then exit the same room now wearing the personnel uniforms. Tony’s uniform fits perfectly, but Steve’s pants are way too small for him. There’s a good 4 inches of leg showing between his socks and pants He walks with an odd gate.
Tony: You alright, Captain?
Steve (tugging near his crotch): Yeah. I’ll be fine…in a minute.
Tony: That’s what you get for being tall and handsome.
Steve: I don’t understand. Clothes always fit in the movies.
Tony: Just hide behind me if someone comes. No one wants to see that.
Steve: Shut up! I’m sick of…
Steve grabs Tony by the throat and shoves him against the wall.
Steve: Shut your damn mouth now. If you mess up this mission…Let’s just say I don’t care what punishments Fury can come up with, but if this virus escapes…If you’re the one that screws it up, I will deal with you myself.
He releases Tony who shrugs him away. Steve and Tony reach a locked door labeled “Control Room.” There’s a card scanner to the side of the door. Tony searches his pockets and pulls out the personnel’s identity card. Looks at it.
Tony: Thank you…Wallis Becker.
He slides the card in the reader. A green light flashes on and Steve opens the door a crack.
Steve: There’s just one guy in there.
Tony: I’ll go in. Hopefully he won’t notice that I’m not Wallis. You wait out here and keep watch, Skinny Britches. Crow if someone’s coming.
Tony puts on the crew members hat and walks inside. The door closes and Steve looks back and forth down the corridor.
Inside, Tony nods at the man at the control panel who looks up at his entrance.
Tony: How’s it goin’?
The man turns back to his work and Tony starts rifling through different things. He opens different cupboards and drawers.
Tony: Hey, do you know where I could find a…
Three large men walk in from another adjoining room.
Man: You’re not Wallis.
Tony: A map!
Tony yanks open one last compartment which is filled with blueprints. He grabs all of them.
In the hallway, Steve hears a number of bangs and shouts. He looks concerned, but doesn’t try to open the door. Tony emerges from the room into the corridor where Steve is standing. His hat is missing, his hair is mussed, and he has blood on his face. He still clutches the blueprints under one arm.
The two men start running through the ship. The ship’s crew pursues them. They keep running. They knock things over as they go to trip up their followers. One of them goes down. Tony tears open a door which blocks the hallway behind them. The personnel run straight into it and one of them is knocked out. Tony and Steve rush into the ship’s bar and lounge which is full of people. They hide in the crowd and try to catch their breaths.
Steve: I think we got ‘em. Did you still have the maps?
Tony (whacking Steve with the blueprints): Yeah.
Steve: Let’s try to blend in.
Steve picks up an empty glass from a table just for appearances. Tony does the same. They move through the lounge. Nodding and smiling at the people they encounter. By the bar, they knock into Violet who is wearing a little black dress now. She looks at the cut on Tony’s head and then Steve’s too short pants.
Steve: They shrunk in the wash, ma’am.
Tony: Don’t mind him. He’s had one too many.
Violet: That’s okay. Laundry can be tricky. I turned all my clothes pink once. You never know. You might start a new fashion trend. You gentleman like some new drinks?
She grins at Steve.
Steve: No. Thank you, miss. We would love to, but we have other duties that we should get back to.
Tony: I might take you up on that later though. Tomorrow? Same time, same place?
Steve pulls Tony away toward the door when something stops them.
Scene Two – Fight
Interior – Lounge
Sly is at the bar getting a drink. Loki approaches him from behind and rips him away from his stool.
Loki: Who are you and why are you watching me?
Sly: I don’t know what you mean. I don’t know you. Security!
Flashback: Sly and his wife are having lunch at a restaurant in New York City. They are sitting at a table outside with a green umbrella over them. They lean in close to each other, laughing and talking. Sly feeds her a bit of his lunch from a fork. The next moment, people around them are screaming. Strange alien beast fly over their heads shooting at people as they scatter. Sly grabs his wife’s hand and pulls her toward the restaurant. A crushed car comes rolling at them from off-screen. The car hits Sly’s wife and she is pinned underneath it. She’s still alive. He cries out to her and goes towards her. Above them Loki and Thor are fighting at the top of Stark Tower. The giant “K” gets blasted off of the building and falls. The “K” lands between Sly and his wife, wreckage blocking his way to her. Sly has to watch his wife die from a distance. Another hover craft zooms over him. On it is not an alien, but Loki.
Back on the cruise ship Loki punches Sly. Sly falls to the ground and Loki pulls him back up again. Loki squeezes his throat. People around him yelp.
Loki: Do that again and I will make you wish you’d never seen this ship. My brother’s friends will find you conveniently unconscious on the floor.
Sly: And they would just let you go in the process? How fast can you run? How strong are you against Captain American and Ironman? How clever do you need to be without your magic powers?
Loki presses in closer to Sly.
Loki: What do you know? How do you know I don’t want to be caught?
Sly: You don’t. I took your powers. You don’t want to be caught until you get them back. Not now. You’ll wait until the right time. And you won’t kill me until you know how to get them back. Here they come. So what now, Loki?
From across the lounge: Steve and Tony watch the two men’s encounter.
Steve: Is that…?
Tony: I think it is.
Tony lunges forward at Sly and Loki. Hearing his name, Loki looks over at Steve, loosening his hold on Sly. Sly twists out of Loki’s grasps.
Steve tries to stop his friend from attacking, but is too late. Tony hits Loki with the empty glass he’s carrying. Sly steps back, rubbing his throat.
Sly: This man attacked me for no reason! He should be locked up and taken off the ship!
Loki, Steve, and Tony continue to fight.
Violet: Wait! Stop! Security is on the way. Argh, men. Stop hurting each other!
Violet throws her drink into the middle of the group. Glass shatters onto all three of them. Loki breaks free from the group and escapes through the crowd. Security guards arrive and put handcuffs on Steve and Tony.
Scene Three – Speculations
Interior – Bruce’s cabin
Thor watches as Bruce conducts an experiment at a table that involves a Bunsen burner, beakers, a stop watch, and data sheets on a laptop.
Thor: Is any of your memory coming back?
Bruce: Do I remember that if something ticks me off I’ll turn into what Tony refers to as “a big, green rage monster”? I still don’t remember how we got here on this ship though. You?
Thor: I come from a different planet.
Thor looks over Bruce’s shoulder.
Bruce: Yes. And shouldn’t you be planning sieges to unite your realms or something?
Thor steps back.
Thor: I do not blame you for misjudging me. My people are great warriors, yes. But we also value knowledge. My father gave up his own eye for it. I respect your profession. Jane –
Bruce: I appreciate your interest, but let’s just stop right there. If you must know, I’ve taken the information from the files we were given on the zombie virus and I’m trying to figure some things out about how the virus might have been developed. Now, I need to concentrate.
Bruce drips a liquid into the beaker with a pipette.
Tony and Steve enter Bruce’s cabin. They have lost the uniforms they’d been wearing. Tony flops the blueprints out onto the table covering Bruce’s own papers. Bruce flinches, squeezing all the liquid from the pipette into the beaker all at once. He closes his eyes and takes a deep breath to try to calm himself.
Tony: We got plans of the ship.
Bruce: I see that.
Steve: What’re you working on, Dr. Frankenstein?
Tony: Hey, don’t talk to him like that.
Steve: Why shouldn’t I? You would do it.
Bruce: Ok, guys. Let’s just sit and talk.
Steve: No. I want to know why it’s okay for him to be an asshole to everyone, but as soon as anyone else tries to give him shit, he’s all righteous.
Tony: I can’t help that I’m such an awesome badass. But you shouldn’t take out your jealous rage on the doc here.
Bruce: Stop. Just stop it. You don’t want to make me angry.
Steve sits down and the others follow suit.
Bruce: What happened? What’s this really about?
Steve: We got the blueprints, but were pursued. We ended up at the lounge and lost our tail. Then Mr. Badass thinks it’s a good idea to start a fight. Security kicked us out of the bar. The guards have been given our id’s and photos in case we ever decide to go back there again.
Bruce: You got banished?
He looks at Tony.
Bruce: From the ship’s bar?
Steve: And now, thanks to Tony, our targets have access to a part of the ship we don’t. An extra advantage for the enemy. Plus our identities have gotten out to the ship’s security. They’ll be on to us for the rest of this trip.
Tony (to Bruce): If you saw what I’d seen, you would’ve done the same thing. It wasn’t just a fight, anyhow. It was Loki.
There’s silence while the men in the room look at Thor.
Bruce: What’d you mean? Loki’s floating around somewhere in the back alleys of the cosmos making connections with alien crime lords and who knows what else. But he certainly isn’t going on a family vacation cruise liner.
Thor: Where is he now?
Steve: It was him. You don’t mistake someone’s identity when you’ve seen them do what Loki’s done. He was with some other guy too. They both got away.
Thor: Who was this other man?
Tony: We don’t know. He said that Loki just attacked him for no reason. They didn’t look like they were friends.
Steve: Loki doesn’t have friends.
Bruce: So the real question is: Is the enemy of Loki our friend? Is this mystery guy Zhivkov’s friend? Or the thief we’re looking for?
Steve: You think Loki and Zhivkov are connected? Maybe Loki is the thief?
Thor: No matter if Loki and Zhivkov are allies, this man Loki attacked is important. The man lied to you. Loki does not attack for no reason. If we find out who the man is, we will be able to find out why my brother is on this ship.
Steve: I think that it’s safe to say that an enemy of Loki is, unless we have evidence otherwise, our friend. We need to divide the ship into sections so we can split up and do a search for Zhivkov and our new mystery man.
Steve spreads out the blueprints.
Steve: Thor, you take the ballroom/dining room and this surrounding area. Bruce, you can have the lower decks in the bow area and the smaller auditorium here. Tony, gets the stern lower decks…excluding the lounge. I’ll take the upper decks and outdoor areas.
He looks around for confirmations or challenges.
Scene Four – Karaoke
Interior – Ship’s lounge – Three days before virus outbreak
Violet is on a stage singing karaoke. She has picked the song I’m the Only One by Melissa Etheridge. She is a little out of tune, but the passion for the song is there.
Violet (singing): Please baby can’t you see, I’m trying to explain. I’ve been here before and I’m locking the door and I’m not going back again. Her eyes and arms and skin won’t make it go away. You’ll wake up tomorrow and wrestle the sorrow that holds you down today.
View expands to include the bar where Tony is sitting in a disguise. He is wearing a fedora and sunglasses. He takes a drink and glances over towards Violet.
Violet (singing): But I’m the only one who’ll walk across the fire for you.
She points randomly at no one into the crowd of drunken listeners and dancers. A man hoots thinking that he’s been specifically chosen. Loki is there, eyeing Tony. He glances behind himself when Violet points, and raises an eyebrow.
Violet (singing): I’m the only one who’ll drown in my desire for you. It’s only fear that makes you run, the demons that you’re hiding from, when all your promises are gone. I’m the only one.
She finishes the song. Tony takes another drink. She joins him at the bar.
Tony: Nice Singing.
Violet: Thanks. Do I know you?
Violet: You were here the other night in uniform. I saw what happened. You’re lucky you didn’t get your nose busted up or something. I always wondered what that would be like. What would I look like with a broken nose?
She turns towards him, waiting for an answer.
Tony: Like yourself. I don’t think I am who you think I am.
Violet: Yes you are. You wanted to have a drink with me tonight, so let’s have a drink. Same time, same place, remember?
Tony looks at the bar tender who is busy at the other end of the bar.
Tony: Don’t say anything. I’m here against orders, but somebody has to do the dirty work. And what you said…drinks. Maybe you can help. I’m looking for this guy. Have you seen him?
He slides a picture of Zhivkov across the counter to her.
Violet: Ooo. Are you a detective? FBI? Undercover.
Tony: Yeah. You could say that.
Violet: I haven’t seen him, but I’ll keep an eye out. He’s got nice hair. What should I do if I see him?
Tony: Call me.
He gives her his calling card. She reads it, flips it over and reads the back.
Violet: Stark Industries. Ironman. Okay. Let’s drink. My dad always said I was good at making friends, but he never wanted to be mine. So, Ironman, let’s be friends. To fathers.
Tony: To fathers.
They clink their glasses together. There’s a time-lapse in which they are drinking and the two of them appear somewhat drunker. Violet isn’t as drunk as Tony. She’s been conserving her drinks.
Tony: How are you still sober?
Violet: Practice. Hey, I’ve got an idea. Why don’t we sing a song together and while we’re at it, we can both search the crowd for your guy?
Tony: I don’t think that’s the best idea for me. I’m a wanted man.
Violet: Oh, come on. You seem like such a confident man. Or maybe that’s the problem?… Besides, what are they gonna do if someone recognizes you? Clap you in handcuffs and make you walk the plank? You disobey orders, but you won’t sing a little song? You’re scared.
Tony (jokingly): No. I’m not scared. I just want people to like me. And they wouldn’t like me if I got up and sang at them. The ‘O captain, my captain’ guy I was with the other night would really not like that. I don’t want anyone to know who I am, right now. That’s all. And karaoke is…kinda girly.
Violet: It’s not girly at all.
Tony: You’re a girl. A damn pretty one.
Violet: You’re just saying that. Who cares if they like you or not? You say you’re not afraid, but here you are hiding your identity behind a costume. If people shoot you down, you have all the more reason to stand up strong for who you really are.
Silence then drunken ramblings.
Tony: You’re not the only one with daddy issues. If this boat had a daddy, it would have issues. You know, I remember something now. Drink is helpful. (To his whiskey) Thank you. I came here on a time machine from the future. Fury said I couldn’t have my suit. It’s not right, SHIELD. I don’t like it. I just want to make it right. So many things my daddy did. How can I make it right, if I don’t have my superhero suit?
Violet: You’re from the future. What’s it like? Wait. Don’t tell me. I don’t want to know what kind of alien takes over the world. Surprises are better. Ironman. That’s you’re superhero name. (She looks at Tony’s card again.) If your dad did so many bad things, how are you going to put it right if no one knows who you are? If you operate under an alias, does it matter if you put things right? An apology doesn’t mean anything, if people don’t know who it comes from.
Tony: They do know who I am. See the card. Both names.
Violet: And yet there’s this.
She reaches up to take Tony’s hat off. He grabs the hat and secures it against his head.
Violet: So what. You started a fight in here. You’re human even if you don’t want to be. You can’t change anything – people can’t like you for who you are – if you’re hiding. But see here, we’re friends. I like you anyway. Costume on or costume off.
She takes his fedora and this time he lets her. She stands up and tosses it over the crowd. A young man catches it and puts it on his head. Violet takes Tony’s sunglasses and sticks them on top of her own head.
Violet: Now, come on. What song do you want to sing?
Tony: Ladies choice.
Cut to: Tony and Violet on stage together with microphones singing Should I Stay or Should I Go by The Clash.
Tony: It’s always tease, tease, tease. You’re happy when I’m on my knees. One day is fine, and next is black. So if you want me off your back, come on and let me know. Should I stay or should I go?
He sings more tentatively as he is busy skimming the crowd. He keeps singing as the camera focuses in on Sly who was spying on them for Fury. Sly is worming his way closer to Loki, but Tony doesn’t spot Loki.
Tony (whispers): I think I know that guy. SHIELD. (To Violet) This is girly. Why’d we pick this song?
Violet (to Tony): You didn’t want to pick it.
Violet: Should I stay or should I go, now? Should I stay or should I go, now? If I go there will be trouble. And if I stay there will be double. So come on and let me know.
Loki is scowling at Violet and Tony as they dance together while they sing. Violet is wearing his sunglasses now and they face each other on stage.
Tony and Violet: Split!
Scene Five – Let’s Dance
Interior – The ship’s huge ballroom – Two days before virus outbreak
There is live music and the place is full of people dancing. Violet dances enthusiastically by herself at the edge of the crowd. People clear a space for her so that she stands alone. Thor makes his way through the dancers, looking at each person to see if they are Zhivkov or Sly. He is not even pretending to dance or blend in as he moves past Violet. He examines her from a distance and she sees him staring at her.
Violet: Hey! Would you like to dance with me?
He puts up a hand to decline and then changes his mind. He goes over to her and begins swaying back and forth. Thor tries to copy the moves of another guy nearby. He looks at the guy instead of at Violet.
Violet (laughs): You’re good!
He looks at her questioningly.
Violet: I mean it!
Thor: In my…country we dance only at certain festivities. Weddings and rituals for our ancestors. But our dances are much different from yours. They are a bit more…orderly.
Violet: Oh, where are you from? No, let me guess. Finland? Netherlands? Australia? Greenland? Germany? Antarctica?
He shakes his head after each question as they continue to dance.
Thor: No, no. It is a place far away that I do not think you would know. Have you by any chance seen these men?
He shows her a picture of Zhivkov and one of Sly. She points at Sly.
Violet: He was at the bar while I singing karaoke. But he wasn’t doing anything. Just hanging around. You must know the hiding man. I mean Ironman.
Thor: He is my friend. My name is Thor. The man in this picture, Sly, works for the same …company – I think is the word – that I work for. But he was not asked to come on this mission with us. We believe he is a double agent. If he speaks to you, you should not believe what he says.
Violet: I’ll watch out for him. You know I had dinner the other night with a man who was also named after a Norse god.
Thor: Loki. He ate dinner with you?
Violet: How did you know who I was talking about?
Thor: He is my brother, but the last time I saw him, he was imprisoned in our dungeons.
Violet steps away from him.
Violet: Your family keeps your brother in their own personal jail?
Thor: It is not what you think. His cell is as finely furnished as any chamber on this ship. Loki is immeasurably evil and feels no remorse for any of his actions. He is cruel, treacherous, and holds childish grudges.
Violet: Perhaps because you lock him in his bedroom as if he were a naughty child you are ashamed of.
Thor: You do not know him as I do. He is in the dungeon not only to keep him from causing trouble, but also because I wish to protect him from himself and from the world.
Violet: First of all, no, I don’t know him well. He’s different, cold and distant, yes, but I tend to judge people by my own experiences. Not by what the world wants me to think of them. Secondly, how does what you just said make you any less sadistic than your brother? You’re like an evil stepmother and it doesn’t suit you.
Thor: That is the problem. I do not want to be his mother.
Violet: Then treat Loki like an equal and not like a princess locked in a tower. You say you love him, but here you are on vacation with him – in the same space as this boat – and yet he is completely alone and you are off running around with your other friends. You say he is cruel and hateful and yet you take no responsibility for your own actions towards him. No wonder he hates women, when you treat him like one and act like it’s your righteous privilege. Do you ever think about what it would be like to be outcast by your own family?
Thor: He deserves what he has gotten. He turned on us.
Violet: I don’t doubt that. But it still doesn’t mean that it’s right to pretend like nothing’s happened when you’ve hurt someone’s feelings. You could tell him you’re sorry for what’s happened, even if you can’t change it.
Thor: He would not listen.
Violet: Not to you maybe. I’m an outside party, and perhaps you need mediator.
Thor: Why would you do that?
Violet: I know what it’s like to have family conflict. I judge fairly. I have emotions beyond happy and macho. And I do what I want.
Thor: I must leave you now.
Exit Thor. Violet goes back to dancing and jumping around on her own. She whoops when the band finishes the song they’re playing, clapping her hands above her head. Loki watches his brother walk away. The song Believe by Mumford & Sons plays.
Say something, say something,
Something like you love me
Less you wanna move away
From the noise of this place.
Enter Loki. Violet sees him and he approaches her. He nods once at her.
Violet: Hello. You have a striking face, you know. It stands out in a crowd. I mean that in a good way.
Loki: I can’t believe you enjoy this.
He gestures to the crowd.
Violet: Why wouldn’t I? It’s freedom. Anonymity. I can be whoever I want to be in a dancing crowd and nobody cares because we’re all people having fun. Have you ever wondered what it would be like to be someone else? Here’s your chance.
He looks at his hands which have been drained of their magical powers to disguise him.
Loki: No. Be one of these idiots?
Violet: I will take your initial disbelief that I would be here as a compliment, since it means you don’t include me with “these idiots.” Thank you, Loki. You’re very kind.
He snorts and looks around.
Loki: They don’t think, they just do whatever they’ve been told to do.
Violet: And of course there’s never been a time in your life when you’ve wanted not to think. To just do something, strangle someone or laugh out loud. Absolutely not. You could have never wanted that freedom before either.
Loki: You mock me. My brother has made you his friend and turned you against me.
Violet: Your brother…is an acquaintance of mine who I think has good intentions towards you. They’ve just been put into practice in unfortunate ways. He seems like he can be quick to anger, and yet there is an innocent charm to him that perhaps makes him more dangerous to women like me.
Loki: He’s nothing but a stupid, human-loving oaf.
Violet: Maybe. But like I told him, I tend to use my own experiences when judging people instead of thinking whatever I’ve been told to think.
They stand in silence.
Violet: I believe Thor would like to get along with you, but I don’t think he’s done a very good job at showing it. Perhaps he doesn’t know how to treat you. Perhaps he needs your help. I’d like to help you.
Loki: Then you’re wasting your time. Thor has made his choice. I’ve made mine.
Violet: I’m getting tired of this crap. Let’s dance.
She disappears into the mass of dancers. For once more in his life, Loki is left alone.
Scene Six – Attention Seeker
Interior – Ballroom
Loki tears through the crowd, ripping men from their dance partners. He punches one man in the face and his date screams. People start looking at him and paying attention to what he’s doing. He drags the yelling woman out of his way by her hair. Then he knees another man in crotch before kicking him to the floor. He knocks another woman’s legs out from underneath her. She shrieks. He realizes a good portion of the room is now looking at him. His lips part in a satisfied smile as he glances around at the fear in the room around him, wondering if Violet is watching. Hoping that she is looking and is terrified by him.
He doesn’t see Sly come up from behind him. Sly injects something into the back of Loki’s neck. Loki drops to the ground unconscious.
Sly: Security. I’m security. Everyone stay calm. Is everyone okay?
No one responds. The disheveled and bleeding crowd stares back at him like he must be joking.
Sly: This man will be taken into secure confinement and released to authorities when we make the next port.
He drags Loki from the room.
Scene Seven – Prisoner
Interior – Storeroom
Sly pulls Loki into a storeroom and ties him up with a cord. There’s a cargo container inside. Sly opens the lid of the container and shoves Loki inside. The container is small enough that Loki is stuck in the fetal position with his knees pressed against his chest.
Sly: That injection should knock you out until tomorrow. Then I’ll pay your little girlfriend a visit.
Scene Eight – Brain Magic
Interior – Magic show in small auditorium – One day before virus outbreak
The magician produces a wind blowing throughout the room. A small sailboat is carried through the air on the breeze, returning a woman’s gold earrings to her which she never knew were missing. She removes them from the boat with a gasp.
Violet: You’ve got to be kidding me.
She walks around trying to get back to her seat with a new long island ice tea in her hand. The liquid splashes out onto Bruce Banner’s sleeve. He brushes at the wet spot with a napkin.
Bruce: You’re tellin’ me.
Violet: I’m sorry. I feel like I’ve been running into people ever since I got on this boat. Must have balance issues…Sea legs.
Bruce: Why don’t you sit here?
Violet: Oh, thank you.
She takes the empty seat at his table. He doesn’t clap as the magician bows and the crowd cheers.
Violet: I take it you don’t like magic?
Bruce: It’s kind of against my beliefs. If you have any scrap of logic in your brain, you can figure how the tricks are done. It’s not magic to me. It’s a puzzle.
He looks around the room.
Violet: And you’re looking for someone. Are you friends with Thor and Ironman? What’s your name? The Puzzler?
Bruce: I like it, but no. You can call me Bruce.
The magician appears to be walking on the ceiling.
Violet: Do you think he feels like he’s in The Poseidon Adventure? What if he’s the right way and we’re wrong?
Bruce: Yup. Magic is all about perspective. Are you looking in the right direction at the right time? Everything is about perspective really. Ever heard the phrase, “It’s all in your head”?
Violet: Do you think I’ve lived in a barrel my whole life?
Bruce: Sorry. You never know.
Violet: Are you suggesting that if you could change your mind, you could convince yourself that magic was real?
Bruce: Why would I want to do that?
Violet: Could I change my self-identity like the white lady who told everyone she was African-American and then believed it was true? What about other abstract things like love, hate, or anger? Could you can convince yourself that you love someone?
Bruce: You could, but it would be difficult and possibly take years for the feeling or lack of the feeling to be genuine. You would have to have a very strong will. Theoretically, if you tried hard enough you could control all your emotions with your head.
Violet: That seems like magic to me. Also, if you still haven’t found this guy, don’t you think you’ve been looking in all the wrong places? If I wanted to hide on a cruise ship, I wouldn’t go to a magic show or a bar. I would stay in my room as much as I could.
Bruce: But then we wouldn’t be able to do all these fun things on our vacation. You can’t be vigilant all the time.
Scene Nine – Intruder
Interior – Corridor, Violet’s cabin
Sly picks the lock on the door to Violet’s cabin. He goes inside. The door slides open and Sly’s form is outlined by the lights outside the room. Inside is darkness. He moves further into the room. There’s a bed where Violet is fast asleep. He watches her for a minute to see how soundly she sleeps.
Sly (aside): The zombie virus is within my grasp. I just have to waiting for the right time. At the last minute, I’ll switch out the machine’s cartridge containing the virus with a harmless one. Then I will steal the real cartridge and bring it back to SHIELD.
He approaches Violet as she sleeps. He starts to reach out to brush her hair off her forehead, but then stops. Instead he kneels down at the head of the bed so that their faces are level. He scoots her nightstand away from the wall, revealing an electrical outlet where Violet’s phone is charging up. He takes out a screwdriver and removes the outlet cover.
Sly (to Violet): I’ve seen you with Loki. Are you helping him? But you were also with Tony, Bruce, and Steve. Could you possibly be another double agent?
He rises and then does run his hand down the side of her face.
Sly (aside): Not while I’m around. There’s only room for one villain in this story. If she’s not a double agent, then she’s Loki’s friend. Loki killed my wife in New York, anyone who calls herself his friend deserves to die.
He takes a small device from his coat and acts like he showing it to the sleeping Violet.
Sly (to Violet): See this? It contains just enough of the virus to infect a single person. I’ve chosen you to be the first host. It’s an honor! I’ll just leave it for you when you unplug your phone in the morning. Then you will go around infecting all of your new little Avenger friends. But Loki is mine, of course.
He snatches the device away.
Sly (aside): Fury can have the virus if he wants it, but not until it’s done its work here.
He turns back to install the device into Violet’s outlet. Sly leaves as quietly as he came. When Violet’s door clicks shut, she jumps out of bed and tip-toes to the hallway. She peers down the corridor and glimpses Sly turning the corner. She follows Sly to the storage room where Loki is being kept.
Thank you to Marvel, Stan Lee, Joss Whedon, and all the other writers, directors, and creative minds/hands involved in producing such a large number of enjoyable films. And of course the actors: Chris Evans, Scarlett Johansson, Samuel L. Jackson, Mark Ruffalo, Idris Elba, Jeremy Renner, Robert Downey Jr., Tom Hiddleston, and Chris Hemsworth.